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Euclid Circular A · نصف عريض / عادي
الخط اللاتيني الأساسي
Euclid Circular A. استخدم وزن Semibold للعناوين وRegular للنصوص. أبقِ تباعد الحروف عند الصفر، واستخدم ضبط المسافات وفق مقاييس الخط.
العربية والويب
يحدّد الدليل Aktiv Grotesk للعربية الأساسية، وJost للاتينية على الويب، وCairo للعربية على الويب. راجع الصفحات الأصلية أدناه للاطلاع على التسلسل الكامل.
الخط البديل للنظام
Arial هو البديل الآمن للنظام بالعربية واللاتينية عند عدم توافر الخطوط الأساسية. استخدم الوزنين Regular وBold.
العلاقات داخل التصميم
تباعد أسطر العنوان يساوي حجم الخط مضافاً إليه نقطتان. وفي شبكة المطبوعات المحددة بالدليل، يساوي حجم النص 15% من الحجم الأقصى للعنوان، مع التقريب إلى العدد الصحيح الأعلى. وفي الواجهات، أعطِ الأولوية لوضوح القراءة على مختلف الشاشات.
اطّلع على الدليل الأصلي 16 صفحات · مايو 2022
الصفحات الأصلية للفصل، بما تتضمنه من رسومات وأمثلة، متاحة أدناه بلغتها الأصلية. ترقيم الصفحات هنا بحسب ملف PDF، ويختلف عن الترقيم المطبوع بعد الفصل الأول. وتحتفظ أمثلة التطبيقات القديمة بنصوصها الأصلية.

اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 3 3
7 Typographic
system
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 3 4
PRIMARY LATIN TYPEFACE
Euclid Circular A
‘Euclid Circular A’ is a self-confident
sans of timeless beauty. Bold
The font is based on geometric shapes
and constructed of mono-linear lines. Bold Italic
www.swisstypefaces.com/fonts/ Semibold
euclid/#Flex
Semibold Italic
Regular
Regular Italic Aa Where there’s
potential, we unlock it
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 3 5
TYPOGRAPHIC SYSTEM
ABCDEFGHIJKLMNOPQRSTUVWXYZHeadline
typography ABCDEFGHIJKLMNOPQRSTUVWXYZ
FONT (EUCLID CIRCULAR A SEMIBOLD) ABCDEFGHIJKLMNOPQRSTUVWXYZThe headline must sit on the baseline of
the impact point and the font size must
not exceed the height of the cell. Font
size is allowed to scale down within the
cell and is governed by amount abcdefghijklmnopqrstuvwxyz
of content.
LEADING abcdefghijklmnopqrstuvwxyz
Leading is +2 points of the heading
font size. This will ensure no conflicts
between ascender or descender height abcdefghijklmnopqrstuvwxyz
on copy above or below.
TRACKING
Tracking between letters in the heading
is set to 0 and should not be adjusted.
KERNING
Kerning should be set to metrics.
BoldNote:
Baseline grid should not be used.Use grid system section to help. Bold Italic
Headline copy shown at maximum size.See example visuals. Headline Semibold
Semibold Italic
Regular typography 123 Regular Italic
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 3 6
TYPOGRAPHIC SYSTEM
ABCDEFGHIJKLMNOPQRSTUVWXYZBody copy
typography ABCDEFGHIJKLMNOPQRSTUVWXYZ
FONT (EUCLID CIRCULAR A REGULAR)Body copy is 15% of the scale of ABCDEFGHIJKLMNOPQRSTUVWXYZ
maximum headline copy size (rounded
up to whole point size).
LEADING abcdefghijklmnopqrstuvwxyz
Leading is +2 points of the body copy
size. This will ensure no conflicts
between ascender or descender height abcdefghijklmnopqrstuvwxyz
on copy above or below.
TRACKING abcdefghijklmnopqrstuvwxyz
Tracking between letters in the heading
is set to 0 and should not be adjusted.
KERNING
Kerning should be set to metrics.
Note:
Baseline grid should not be used.
Use grid system section to help. Bold
Bold Italic Body copy Semibold
Semibold Italic
Regular typography 123 Regular Italic
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 3 7
TYPOGRAPHIC SYSTEM
Layout anatomy
1 CLEAR SPACE
The first cell after the impact point
must remain clear of all type.
2 THE HEADLINE
The headline must sit on the
baseline of the impact point and the
font size must not exceed the height
of the cell. Font size is allowed to
scale down within the cell and is
governed by amount of content.
3 BODY COPY
The body copy is 15% of the
headline size when used at capacity 1
(rounded up to a whole point size). It
should sit at the top of the first cell
under headline copy.
2
4 CALL TO ACTION
The ‘Call to Action’, whilst in the
same font size as the body copy,
should always appear in uppercase.
CONTACT
5 The website URL address sits on
the baseline on one cell from the
bottom of the canvas. URL is +7
points bigger than body copy.
3
Note:
Headline copy shown maximum at size.
4See example visuals.
5
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 3 8
TYPOGRAPHIC SYSTEM
Typography
in use (latin)
To the right are examples of how you
would lay out collateral in landscape
format using both single and double
line lockups. When working on a
landscape format for a double page
spread, it is suggested to move the body
copy to the adjacent side to ensure
legibility across the fold.
Note:
Examples should only be used as guide
and will change with the amount of Double line headline
content. Headline copy shown at
maximum size. See example visuals.
Single line headline
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 3 9
TYPOGRAPHIC SYSTEM
Typography
in use (latin)
Here you will find examples of how
you would lay out collateral in portrait
format using both single and double
line lockups.
Note:
Examples should only be used as guide
and will change with the amount of
content. Headline copy shown at
maximum size. See example visuals.
Double line headline
Single line headline
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 4 0
TYPOGRAPHIC SYSTEM
Typography
in use (latin)
Finally, here are examples of how the
layout would work in a square format
using both single and double line
lockups.
Note:
Examples should only be used as guide
and will change with the amount of
content. Headline copy shown at
maximum size. See example visuals.
Double line headline
Single line headline
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 41
TYPOGRAPHIC SYSTEM
Typography
in use (arabic)
To the right are examples of how you
would lay out collateral in landscape
format using both single and double
line lockups. When working on a
landscape format for a double page
spread, it is suggested to move the body
copy to the adjacent side to ensure
legibility across the fold.
Note:
Examples should only be used as guide
and will change with the amount of Double line headline
content. Headline copy shown at
maximum size. See example visuals.
Arabic copy is place holder only TBC.
Single line headline
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 4 2
TYPOGRAPHIC SYSTEM
Typography
in use (arabic)
Here you will find examples of how
you would lay out collateral in portrait
format using both single and double
line lockups.
Note:
Examples should only be used as guide
and will change with the amount of
content. Headline copy shown at
maximum size. See example visuals.
Double line headline
Arabic copy is place holder only TBC.
Single line headline
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 4 3
TYPOGRAPHIC SYSTEM
Typography
in use (arabic)
Finally, here are examples of how the
layout would work in a square format
using both single and double line
lockups.
Note:
Examples should only be used as guide
and will change with the amount of
content. Headline copy shown at
maximum size. See example visuals.
Double line headline
Arabic copy is place holder only TBC.
Single line headline
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 4 4
PRIMARY ARABIC TYPEFACE
Aktiv Grotesk
Aktiv Grotesk is an ideal choice for
branding exercises that require a بولد اكس
diverse use of type in headings and
short copy at mid-to-large sizes. بولد
It’s a variable typeface that works ريجيوالر
both in headlines and body copy in an
authoritative yet neutral position.
www.daltonmaag.com/library
/aktiv-grotesk
،عندالحاجة
القيادة نستلم ابجد
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 4 5
LATIN WEB TYPEFACE
Jost
While the initial releases were Bold
designed as a free Futura alternative
and retained much of Futura’s Bold Italic
original design, it’s been rebuilt
from the ground up. Semibold
Since version 2.0, it has evolved into Semibold Italic
a contemporary Futura, updated
and upgraded for the current Regular
standards and needs of the
digital era. Regular Italic
https://fonts.google.com
THIS FONT IS FOR WEB USE ONLY. Aa Where there’s
potential, we unlock it
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 4 6
WEB ARABIC TYPEFACE
Cairo
Cairo is a contemporary Arabic and بولدLatin typeface family based on the Kufi
calligraphic style. بولد سيمي
Cairo balances classic and ريجيوالرcontemporary tastes with wide open
counters, paired with short ascenders
and descenders. These minimise length
and help maintain readability.
https://fonts.google.com
THIS FONT IS FOR WEB USE ONLY. ابجد ،عندالحاجة
القيادة نستلم
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 47
LATIN SYSTEM SAFE TYPEFACE
Arial Bold
Our Latin system font is Arial. System
fonts are ONLY used when there is no Bold Italic
presence of the primary typefaces. Regular
Arial is used for headlines and
body copy. Arial is available Regular Italic
in numerous weights but Regular
and Bold are the recommended
weights for use in headlines,
sub headings and body copy. Aa Where there’s
potential, we unlock it
اقرأ نص الصفحة الأصلي
H SA G RO U P B R A N D A N D ST Y L E G U I D E 4 8
ARABIC SYSTEM SAFE TYPEFACE
Arial بولد
Our Arabic system font is Arial. System
fonts are ONLY used when there is no ريجيوالر
presence of the primary typefaces.
Arial is used for headlines and
body copy. Arial is available
in numerous weights but Regular
and Bold are the recommended
weights for use in headlines,
sub headings and body copy. ابجد
،عندالحاجة
القيادة نستلم